311 Siao-chen Hu The Poetess and the Precept Master: A Selection of Daoist Poems by Gu Taiqing. 293 Ellen Widmer Unorthodox Female Figures in Zhu Suxian’s Linked Rings of Jade. Zeitlin Guangdong’s Talented Women of the Eighteenth Century. 233 Ayling Wang Between Performance, Manuscript, and Print: Imagining the Musical Text in Seventeenth-Century Plays and Songbooks. 211 Xiaofei Tian Music and Dramatic Lyricism in Hong Sheng’s Palace of Eternal Life. 193 Katherine Carlitz The Representation of Sovereignty in Chinese Vernacular Fiction. 175 Shiamin Kwa Passion and Chastity: Meng Chengshun and the Fall of the Ming. The Shape of Things: Locating the Self in Xu Wei’s Zen Master Yu Has a Voluptuous Dream. 139 Tian Yuan Tan Singing in Place of Screaming: Subversion As Satire in Late Imperial China. West Rethinking Li Kaixian’s Editorship of Revised Plays by Yuan Masters: A Comparison with His Banter about Lyrics. Hegel Time Management and Self-Control: Self-Help Guides in Yuan. 59 Glen Dudbridge The Elder of the Eastern Hall Reforms a Prodigal Son: A Play by Qin Jianfu. Knechtges The Fall of Former Shu in 925: An Eyewitness Account. Mair and Rostislav Berezkin Luo Binwang’s Defense of a Jilted Lady: “Amorous Feelings: On Behalf of Miss Guo Sent to Lu Zhaolin”. 7 Stephen Owen Autobiographical Features in Bai Juyi’s “Biography of the Maestro of Mellow Versification”. 1 A Poetic Narrative of Change: Du Fu’s Poetic Sequence “Going Out the Passes: First Series”. printed in the netherlandsĬONTENTS Acknowledgments. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. ISSN 0169-9563 ISBN 978 90 04 17906 6 Copyright 2009 by Koninklijke Brill NV, Leiden, The Netherlands. Chinese literature-History and criticism. 92) Includes bibliographical references and index. Text, performance, and gender in Chinese literature and music : essays in honor of Wilt Idema / edited by Maghiel van Crevel, Tian Yuan Tan, Michel Hockx. Back cover: Wilt Idema in 2007 (photograph by Mylène Siegers). Wang Hongxu 王鴻緒 et al., 24 juan, preface 1727, printed before 1865, Leiden University Sinological Library (Sinol. Maghiel van Crevel Tian Yuan Tan Michel Hockxįront cover: “Da xu” 大序 (Great Preface), Qinding Shijing zhuanshuo huizuan 欽定詩經傳説彙纂 (Imperial Edition of the Book of Songs with Collected Explanations), ed. Text, Performance, and Gender in Chinese Literature and Music Essays in Honor of Wilt Idema Edited by ter Haar Maghiel van Crevel In co-operation with Text, Performance, and Gender in Chinese Literature and Music Essays in Honor of Wilt Idemaīarend J.
0 kommentar(er)
